Great Britain · Classic
Machin Definitives: The Longest-Serving Design
The Machin is the British definitive showing a sculpted profile of Queen Elizabeth II, introduced in 1967 and named after its designer, Arnold Machin. It served for over fifty years as the everyday stamp of Britain, on a plain coloured background with the value and no country name. Recognising a Machin is easy; identifying the exact one is a deep specialism, since the same design exists in countless versions distinguished by value, colour, phosphor, paper and printer.

At a glance
The story of the Machin
Few stamp designs have ever served so long, or so well. In 1967 the sculptor Arnold Machin created an elegant profile of the young Queen Elizabeth II in relief, set against a plain coloured background, and it replaced the earlier Wilding definitives.
Its simplicity proved timeless: the Machin head went on to appear on billions of British stamps over more than fifty years, one of the longest-serving and most reproduced designs in the world. Quiet, dignified and instantly recognisable, it became the everyday face of British postage. Our Queen Elizabeth II stamps hub sets the Machin in the context of its reign.
Recognising a Machin
Recognising a Machin is straightforward. It shows the sculpted profile of Queen Elizabeth II, facing left, on a plain single-colour background with the denomination and no country name. If a British definitive shows that profile rather than a pictorial scene, it is a Machin. That single, unchanging image is what makes the design so familiar, and what makes the field beneath it so deep. Our guide to identifying a Machin explains recognition in full.
One image, countless versions
Easy to recognise, a specialism to identify
Behind the one familiar portrait lies one of the largest fields in all philately. Two Machins that look identical can differ by value, colour, phosphor, paper, gum and printer, and be quite differently valued. The exact variety, not the design, is everything.
The specialist field beneath the surface
Behind the one familiar portrait lies one of the largest and most studied fields in all philately. The same design exists in a vast range of versions, distinguished by the value and its colour, the number and position of phosphor bands, the paper and gum, and the printer and process, differences often invisible to the untrained eye. Collectors devote whole collections to the Machins alone, and two stamps that look identical can be quite different, and differently valued. Our guide to identifying a Machin and our Machin value guide explain why the exact variety matters so much.
What Machins are worth
Most Machins are common and worth little, the everyday stamps of recent decades, while a few specific printings, early issues and genuine errors are valuable, sometimes highly so. The exact variety, not the design, decides it, which is why the field rewards careful study. Our GB Machin stamp values guide explains which Machins carry a premium and why, and how to tell an ordinary one from a scarce one.
Collecting Machins
For the patient and the curious
The Machin is a field for the patient and the curious. It can be collected simply, one of each basic value and colour, or pursued in the finest specialist detail, by phosphor, paper and printing, a study that can absorb a lifetime. Because most Machins are inexpensive, a great deal can be collected for very little, while the scarce printings give the specialist a long and rewarding hunt. We are glad to help you with Machin material, honestly described and photographed front and back; browse our Great Britain stamps, or ask us what is available.
Frequently asked questions
The long-running British definitive showing a sculpted profile of Queen Elizabeth II, introduced in 1967 and named after its designer, Arnold Machin. It served for over fifty years.
By the Queen Elizabeth II profile, facing left, on a plain coloured background with the value and no country name. If a British definitive shows that profile rather than a scene, it is a Machin.
Because the same design exists in countless versions distinguished by value, colour, phosphor, paper, gum and printer, differences invisible to the untrained eye. The exact variety decides identity and value.
Most are common and worth little, while a few specific printings, early issues and genuine errors are valuable. The exact variety, not the design, decides it. Our Machin value guide explains.
